Nov. 10, 2020
Interview with Jessie Wagner
We had the pleasure of interviewing Jessie Wagner over Zoom video!
It’s been a long journey to center stage for Jessie Wagner. Having gained her greatest exposure to date by singing songs everyone knows the words to, on some of the world’s biggest...
We had the pleasure of interviewing Jessie Wagner over Zoom video!
It’s been a long journey to center stage for Jessie Wagner. Having gained her greatest exposure to date by singing songs everyone knows the words to, on some of the world’s biggest stages, it’s only now, through sharing her own triumphs and pain, that the spotlight is shining directly on her at last.
After logging thousands of miles as an in-demand vocalist on tour with Lenny Kravitz, Chic, Duran Duran, Kid Rock and most recently Little Steven and The Disciples Of Soul, Jessie Wagner reveals a very personal collection of songs with Shoes Droppin’, her debut solo album for Wicked Cool Records.
Displaying an impressive range encompassing bluesy R&B, neo-soul, acoustic balladry and rock a la John Mayer’s more confessional side, Shoes maintains a unified sound rooted in ’60s and ’70s style production. The songs trace times of darkness and redemption for the Norfolk, Virginia native, now based in New York City, who also fronts the rock/soul band Army of the Underdog.
“’Shoes Droppin’’ was the song I wrote when I was at my lowest point,” Jessie says of the stomping, bluesy title track which opens the album. “My ex went into cardiac arrest and almost died. He spent the next couple of years fighting to regain a semblance of his former existence, and because of that, my life was arrested in a strange way. I thought I’d have to give up my music career. I fought my way back from that, and ‘Shoes Droppin’’ is a testament to losing and regaining your faith in what is possible.”
Recorded during downtime from the Little Steven world tour, the album was produced by drummer Dave Diamond (Bob Weir, Derek Trucks) with engineer Chris Laybourne. Seasoned soul guitarist Sherrod Barnes has the most co-writes with six; he’s previously written for or with Beyoncé, Angie Stone and Ashanti as well as recording with Whitney Houston, Roberta Flack and Queen Latifah. The album’s striking horn arrangements are by longtime Little Steven cohort Eddie Manion, who’s also worked with Bob Dylan, Diana Ross and Darlene Love.
Wagner never expected singing in Stevie Van Zandt’s band would lead to being signed to his label for her own work. “When Stevie said he thought I was a real artist, I could’ve cried.” Jessie recalls. “After fighting to be heard in this industry for so long, it means so much for someone of his stature to say your voice is unique and needs to be heard.” Stevie says, “Her music is eclectic and unique and impossible to categorize, which makes her the perfect Wicked Cool artist.”
“I started the year with a record deal, and then shortly after, the world fell apart in so many ways,” Jessie comments on the COVID-19 pandemic. “I’m happy that I have this album to look forward to. It gives me some purpose and determination.
“This album really addresses every aspect of me as an artist. I don’t settle well in any box. I’ve hinted at that with my rock band Army of the Underdog. But this really shows my versatility – or my schizophrenia! I like that It’s honest and playful, with touches of hopelessness, but also the idea of redemption and faith.”
After singing for so many legends, it was a special treat to arrange and sing both leads and harmonies for herself. “That’s something I love doing. After talking to Dave [Diamond] about how I thought ‘What You Get’ sounded like a Paul Simon song, I asked a friend how to say ‘This is me’ in Swahili and it sounded so beautiful. Then I had to figure out how to sing it and make it fit with the song.”
The sassy soul of “Over And Over” already conquered satellite radio, to be followed in August by the girl group vibes of “End Of Time.” “Jorgen Kjaer sent me a piano idea and it made me want to write an Amy Winehouse type song.”
Future single “My Darlin’, My Dear” has a slow burn kind of feel. “I had Sharon Jones & The Dap-Kings in mind. It was this person begging to be recognized for her worth, and it needed to be bluesy and gritty.” Another pro
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Support this podcast: https://anchor.fm/bringinbackpod/support
It’s been a long journey to center stage for Jessie Wagner. Having gained her greatest exposure to date by singing songs everyone knows the words to, on some of the world’s biggest stages, it’s only now, through sharing her own triumphs and pain, that the spotlight is shining directly on her at last.
After logging thousands of miles as an in-demand vocalist on tour with Lenny Kravitz, Chic, Duran Duran, Kid Rock and most recently Little Steven and The Disciples Of Soul, Jessie Wagner reveals a very personal collection of songs with Shoes Droppin’, her debut solo album for Wicked Cool Records.
Displaying an impressive range encompassing bluesy R&B, neo-soul, acoustic balladry and rock a la John Mayer’s more confessional side, Shoes maintains a unified sound rooted in ’60s and ’70s style production. The songs trace times of darkness and redemption for the Norfolk, Virginia native, now based in New York City, who also fronts the rock/soul band Army of the Underdog.
“’Shoes Droppin’’ was the song I wrote when I was at my lowest point,” Jessie says of the stomping, bluesy title track which opens the album. “My ex went into cardiac arrest and almost died. He spent the next couple of years fighting to regain a semblance of his former existence, and because of that, my life was arrested in a strange way. I thought I’d have to give up my music career. I fought my way back from that, and ‘Shoes Droppin’’ is a testament to losing and regaining your faith in what is possible.”
Recorded during downtime from the Little Steven world tour, the album was produced by drummer Dave Diamond (Bob Weir, Derek Trucks) with engineer Chris Laybourne. Seasoned soul guitarist Sherrod Barnes has the most co-writes with six; he’s previously written for or with Beyoncé, Angie Stone and Ashanti as well as recording with Whitney Houston, Roberta Flack and Queen Latifah. The album’s striking horn arrangements are by longtime Little Steven cohort Eddie Manion, who’s also worked with Bob Dylan, Diana Ross and Darlene Love.
Wagner never expected singing in Stevie Van Zandt’s band would lead to being signed to his label for her own work. “When Stevie said he thought I was a real artist, I could’ve cried.” Jessie recalls. “After fighting to be heard in this industry for so long, it means so much for someone of his stature to say your voice is unique and needs to be heard.” Stevie says, “Her music is eclectic and unique and impossible to categorize, which makes her the perfect Wicked Cool artist.”
“I started the year with a record deal, and then shortly after, the world fell apart in so many ways,” Jessie comments on the COVID-19 pandemic. “I’m happy that I have this album to look forward to. It gives me some purpose and determination.
“This album really addresses every aspect of me as an artist. I don’t settle well in any box. I’ve hinted at that with my rock band Army of the Underdog. But this really shows my versatility – or my schizophrenia! I like that It’s honest and playful, with touches of hopelessness, but also the idea of redemption and faith.”
After singing for so many legends, it was a special treat to arrange and sing both leads and harmonies for herself. “That’s something I love doing. After talking to Dave [Diamond] about how I thought ‘What You Get’ sounded like a Paul Simon song, I asked a friend how to say ‘This is me’ in Swahili and it sounded so beautiful. Then I had to figure out how to sing it and make it fit with the song.”
The sassy soul of “Over And Over” already conquered satellite radio, to be followed in August by the girl group vibes of “End Of Time.” “Jorgen Kjaer sent me a piano idea and it made me want to write an Amy Winehouse type song.”
Future single “My Darlin’, My Dear” has a slow burn kind of feel. “I had Sharon Jones & The Dap-Kings in mind. It was this person begging to be recognized for her worth, and it needed to be bluesy and gritty.” Another pro
---
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