May 10, 2020
Interview with Josie Dunne
We had the pleasure of interviewing Josie Dunne over Zoom video!
Please share while we are #togetherathome 🏠
“When most effective, music possesses an almost supernatural ability to take listeners on a vibrant journey. Listen closely to a...
We had the pleasure of interviewing Josie Dunne over Zoom video!
Please share while we are #togetherathome 🏠
“When most effective, music possesses an almost supernatural ability to take listeners on a vibrant journey. Listen closely to a well-constructed song, and an artist’s pathway to the present comes into laser-sharp focus. To that end, if ever one was curious where Josie Dunne stands at a given point in her life, her sophisticated and ever-soulful songs told the tale. Songwriting then, for the 22-year old breakout singer, has always been a matter of “deep diving into who you are as a person,” she offers. Because you have to be super self-aware to figure out your sound.” Having worked as a professional songwriter since age 16, and now on the cusp of releasing Late Teens Early Twenties, her soul-baring second EP for Atlantic Records, Dunne says in so many ways we have been and are continuing to play witnesses in real time to her self-discovery.
“You’re hearing me grow up — the real growth spurt,” the singer says of her meandering road towards finding herself and, in the process, her unique brand of soul-infected pop. On Late Teens Early Twenties, a collage of sweet-and-sticky pop and timeless soul, “You’re seeing me learn these lessons for the first time,” Dunne says of her warts-and-all storytelling that, in conjunction with an electrifying sonic evolution, makes her one of the most thrilling, buzzed-about young pop stars of the moment.
To hear Dunne tell it, Late Teens Early Twenties is the clearest distillation of her sonic and lyrical maturation. The process of constructing To Be The Little Fish, her debut EP released last year via Atlantic, was a soul and sound-searching process Dunne likens to a healthy dose of trial and error. Only a teenager at the time, she experimented with a mélange of sounds and styles. Not until she wrote and recorded “Old School,” that EP’s centerpiece and her breakout single, did she feel she’d truly found her musical voice. “When we wrote Old School,” she says of the sticky-sweet single directly inspired by her parents’ relationship, “everything shifted. I was like, Boom! That’s the direction!” she recalls, noting how prior to its completion she’d felt compelled to write for any and every genre, but in pinning down what made her tick -- fresh and funky soul music with a contemporary pop flair-- she finally felt at home.
And, not surprisingly, her evolution as a songwriter and artists has only continued: Dunne’s new music is the result of endless sonic tweaking and intense self-examination – a process that first began in her middle school years when she’d post cover songs to YouTube and play local bars and restaurants in her native Chicago suburbs, and was aided by her endlessly supportive family of artists. “Everyone in my family is super-creative, Dunne says. “All of my siblings do something in the arts. They’re my biggest fans. I don’t know how I could have done it without them. To that end, her sister, Maisy Dunne, choreographed and stars in an alternative dance video for “Ohh La La,” the infectious single from Late Teens she released earlier this year.
“I have such a different viewpoint now,” Dunne says of the songs that comprise her bold new EP. In addition to opening herself up like never in her songs, the singer-songwriter injected them with a diverse palette of influence that more accurately reflects her current musical tastes
“Listen,” she continues. “A shirt that I would wear as a 17-year old I’m not really trying to wear now. And it’s the same with songs.” It’s why, Dunne says, while her latest work undoubtedly pays tribute to her longtime love affair with vintage soul, it also points to an ever-growing love of mainstream pop and hip-hop.
Dunne points to “Ooh La La” as a major turning point in her artistic advancement. Its initial spark occurring when holed up in a hotel room on a songwriting retreat in Las Vegas (“I have all
---
Support this podcast: https://anchor.fm/bringinbackpod/support
Please share while we are #togetherathome 🏠
“When most effective, music possesses an almost supernatural ability to take listeners on a vibrant journey. Listen closely to a well-constructed song, and an artist’s pathway to the present comes into laser-sharp focus. To that end, if ever one was curious where Josie Dunne stands at a given point in her life, her sophisticated and ever-soulful songs told the tale. Songwriting then, for the 22-year old breakout singer, has always been a matter of “deep diving into who you are as a person,” she offers. Because you have to be super self-aware to figure out your sound.” Having worked as a professional songwriter since age 16, and now on the cusp of releasing Late Teens Early Twenties, her soul-baring second EP for Atlantic Records, Dunne says in so many ways we have been and are continuing to play witnesses in real time to her self-discovery.
“You’re hearing me grow up — the real growth spurt,” the singer says of her meandering road towards finding herself and, in the process, her unique brand of soul-infected pop. On Late Teens Early Twenties, a collage of sweet-and-sticky pop and timeless soul, “You’re seeing me learn these lessons for the first time,” Dunne says of her warts-and-all storytelling that, in conjunction with an electrifying sonic evolution, makes her one of the most thrilling, buzzed-about young pop stars of the moment.
To hear Dunne tell it, Late Teens Early Twenties is the clearest distillation of her sonic and lyrical maturation. The process of constructing To Be The Little Fish, her debut EP released last year via Atlantic, was a soul and sound-searching process Dunne likens to a healthy dose of trial and error. Only a teenager at the time, she experimented with a mélange of sounds and styles. Not until she wrote and recorded “Old School,” that EP’s centerpiece and her breakout single, did she feel she’d truly found her musical voice. “When we wrote Old School,” she says of the sticky-sweet single directly inspired by her parents’ relationship, “everything shifted. I was like, Boom! That’s the direction!” she recalls, noting how prior to its completion she’d felt compelled to write for any and every genre, but in pinning down what made her tick -- fresh and funky soul music with a contemporary pop flair-- she finally felt at home.
And, not surprisingly, her evolution as a songwriter and artists has only continued: Dunne’s new music is the result of endless sonic tweaking and intense self-examination – a process that first began in her middle school years when she’d post cover songs to YouTube and play local bars and restaurants in her native Chicago suburbs, and was aided by her endlessly supportive family of artists. “Everyone in my family is super-creative, Dunne says. “All of my siblings do something in the arts. They’re my biggest fans. I don’t know how I could have done it without them. To that end, her sister, Maisy Dunne, choreographed and stars in an alternative dance video for “Ohh La La,” the infectious single from Late Teens she released earlier this year.
“I have such a different viewpoint now,” Dunne says of the songs that comprise her bold new EP. In addition to opening herself up like never in her songs, the singer-songwriter injected them with a diverse palette of influence that more accurately reflects her current musical tastes
“Listen,” she continues. “A shirt that I would wear as a 17-year old I’m not really trying to wear now. And it’s the same with songs.” It’s why, Dunne says, while her latest work undoubtedly pays tribute to her longtime love affair with vintage soul, it also points to an ever-growing love of mainstream pop and hip-hop.
Dunne points to “Ooh La La” as a major turning point in her artistic advancement. Its initial spark occurring when holed up in a hotel room on a songwriting retreat in Las Vegas (“I have all
---
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