We had the pleasure of interviewing The Scarlet Opera over Zoom video!
Soaring higher than ever, buzzing Los Angeles band The Scarlet Opera takes flight on their anticipated new Mirror, Mirror EP out today via SB Projects / Republic Records—listen HERE.
Mirror, Mirror celebrates the band’s dramatic vocals, magnetic melodies, and stadium-ready swagger. Among many highlights, new track “What Good Is Love” threads fret-burning guitar through otherworldly synths. Frontman Luka Bazulka’s jaw-dropping delivery resounds as he wonders, “What good is love?” Then, there’s new single “Slutty.” Over a bed of guitar and keys, the verses barely contain the track’s flirty fire, as Luka belts, “You make me so slutty.” Cinematic piano sets the tone for “God Damned Beautiful.” It trumpets an essential personal mantra, “The facts are the facts that I’m god damn beautiful.”
On the release of the EP, the band shares: “For better or for worse, this music ended up being a reflection of our trials and tribulations being a band the past few years—the complexities of falling sucker to industry hype men paralleled eerily well to the simultaneous love affairs happening behind the scenes. Mirror, Mirror will always be a poignant reminder for us to keep our circle tight, the romance in the ride and our joy protected, at all costs. More music, sooner.”
The Scarlet Opera recently teased Mirror, Mirror with their single “Someone’s Gotta Love ‘Em.” On “Someone’s Gotta Love ‘Em,” epic guitars resound, cinematic strings soar, and Bazulka emanates the kind of starpower and charisma that comes along once in a generation. The catchy chorus proves instantly chantable as he sets the scene, “I met a bird last night she was drunk at a bar, she said let me introduce you to my friend he’s a star.” Met with critical acclaim, Melodic Magazine hailed, “The single is articulate and theatrical with a splash of rock – a perfect way to welcome summer and an exciting and lively addition to the bands’ setlist.”
It followed the fiery “Catch Me If You Can,” which beyond picking up steam at DSPs, has earned widespread praise. Popdust dubbed it a “captivating, high energy track that kicks off their new era with a bang,” and The Honey Pop proclaimed, “It’s your dose of rock-and-roll combined with a mixture of badass lyricism, an intoxicating chorus, and a whole lot of infectious melodies.”
Not to mention, they recently wrapped their headlining Catch Me If You Can Tour. Speaking to their standout live performance, RIFF Magazine applauded, “A little bit Queen and a little bit Journey, the band had a cinematic sound with the flair of a Broadway show.” Pit Crew Media noted, “Between their iconic look, over-the-top stage-presence, and quality sound, The Scarlet Opera put on an incredible performance that left fans wanting more,” while The Concert Chronicles praised their live show as “a performance that was nothing short of electrifying.”
Last year, the band released their empowering single “That Kind Of Woman” and beloved debut Comedy EP, which features breakout songs “The Place To Be,” “Big City Thing,” “Alive,” and “Riot.” Amassing millions of streams to date, Comedy landed acclaim courtesy of Rolling Stone, Flaunt, LADYGUNN, Jezebel, Just Jared, Queerty, and more, with HITS Daily Double proclaiming, “The Scarlet Opera blends classic arena pomp rock, neon-bright ’80s pop and more than a dash of Broadway-style virtuosity into an infectious, gender-blending cocktail that its burgeoning fan base finds utterly intoxicating.” Not to mention, the band received a nomination for “Breakthrough Music Artist” at the 2024 GLAAD Media Awards.
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